Conference Papers

Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice and Andrew P. McPherson. Exploring Experiences with New Musical Instruments through Micro-phenomenology. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Auckland, New Zealand. 2022. DOI: 10.21428/92fbeb44.b304e4b1 [PDF]

Courtney N. Reed, Sophie Skach, Paul Strohmeier, and Andrew P. McPherson. 2022. Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances. In Augmented Humans 2022 (AHs 2022), March 13–15, 2022, Kashiwa, Chiba, Japan. ACM, New York, NY, USA, 20 pages DOI: 10.1145/3519391.3519412 [PDF] [Presentation]

Courtney N. Reed. 2022. Examining Embodied Sensation and Perception in Singing. In Sixteenth International Conference on Tangible, Embedded, and Embodied Interaction (TEI ’22), February 13-16, 2022, Daejeon, Republic of Korea. ACM, New York, NY, USA, Article 47, 1–7. DOI: 10.1145/3490149.3503581 [Presentation]

Nick Bryan-Kinns, Berker Banar, Corey Ford, Courtney N. Reed, Yixiao Zhang, Simon Colton, and Jack Armitage. 2021. Exploring XAI for the Arts: Explaining Latent Space in Generative Music. 1st Workshop on eXplainable AI Approaches for Debugging and Diagnosis (XAI4Debugging@NeurIPS2021), December 14, 2021, Online. [PDF] [Poster]

Courtney N. Reed and Andrew P. McPherson. 2021. Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists. In Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction (TEI ’21), February 14–19, 2021, Salzburg, Austria. ACM, New York, NY, USA, 11 pages. DOI: 10.1145/3430524.3440641 [Presentation]

Courtney N. Reed and Andrew P. McPherson. 2020. Surface Electromyography for Direct Vocal Control. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), July 21-25, 2020, Birmingham, UK, pp. 458–463. DOI: 10.5281/zenodo.4813475 [Presentation]

Journal Publications

Simin Yang, Courtney N. Reed, Elaine Chew, and Mathieu Barthet. 202). Examining Emotion Perception Agreement in Live Music Performance. IEEE Transactions on Affective Computing (Early Access). DOI: 10.1109/TAFFC.2021.3093787

Courtney N. Reed, Marcus T. Pearce, and Andrew P. McPherson. Auditory imagery ability and singing accuracy with altered auditory feedback. Under review.

Extended Abstracts & Demos

Courtney N. Reed, Andrew P. McPherson, and Marcus T. Pearce. 2021. The Role of Auditory Imagery and Altered Auditory Feedback in Singers’ Timing Accuracy. In 16th International Conference on Music Perception and Cognition/11th Triennial Conference of the European Society for the Cognitive Sciences of Music (ICMPC16-ESCOM11), July 28-31, 2021, Sheffield, UK. [Presentation]

Courtney N. Reed and Elaine Chew. 2019. Effects of Musical Stimulus Habituation and Musical Training on Felt Tension. In 20th Conference of the International Society for Music Information Retrieval (ISMIR) Late Breaking/Demo Session, November 4-8, 2019, Delft, The Netherlands. [PDF] [Poster]

Workshops & Symposia Presentations

Courtney N. Reed, Simin Yang, Elaine Chew, and Mathieu Barthet. 2019. The Listening Participant and The Living Instrument: A Thematic Analysis of Why Listeners Actively Annotate Emotion Changes Through Live Performance. Workshop-Symposium on Research Methods in Music and Emotion, September 14, 2019, Durham, UK. [Slides] [Program]

Simin Yang, Courtney N. Reed, Elaine Chew, and Mathieu Barthet. 2019. Listener-informed Features for Time-varying Emotion Perception in Live Music Performance. 7th Seminar on Cognitively Based Music Informatics Research Workshop (CogMIR), August 8, 2019, New York, USA. [Slides] [Program]

Invited Talks

Courtney N. Reed. 2021. Translating the Body: Abstract Language in the Teaching of Fundamental Vocal Pedagogy. Presentation at the Language, Discourse and Communication Doctoral Lab, May 6, King’s College London, UK. [Slides]

Courtney N. Reed. 2020. The Research Intensive University (RIU) Experience. Presentation at the Realising Opportunities Student Conference, March 7, University of Exeter, UK. [Program] [Slides]


Courtney N. Reed and Elaine Chew. 2018. Interactions Between Felt Emotion and Musical Changepoints in Live Music Performance. (Unpublished Master’s Thesis). Queen Mary University of London: London, UK. [PDF]